Äåòåêòèâ Õåëìóò Ìþëåð è Áåà Áðàóí ñå ðàäâàò íà âåñåëè äíè â Êüîëí. Èìà êàðíàâàë è åäèí îò ïðèÿòåëèòå èì ïðàçíóâà ñâîÿ ïåòäåñåòè ðîæäåí äåí. Íî íà ïàðòèòî èç÷åçâàò Áåà Áðàóí, ïàðè è îùå ìíîãî äðóãè íåùà. Ìîæå ëè äåòåêòèâ Ìþëåð äà õâàíå êðàäåöà è òàêà äà ñïàñè ïàðòèòî? ... |
|
|
Êíèãàòà çà ó÷èòåëÿ ñúäúðæà ïðèìåðíè ðåøåíèÿ è ïîäðîáíè ïðåïîðúêè çà ïðåïîäàâàòåëñêàòà ïðàêòèêà, ñúîáðàçåíè ñ ó÷åáíèêà è ó÷åáíàòà òåòðàäêà. Ó÷åáíàòà ñèñòåìà "Mundliche Wissenschaftssprache - íèâî C1 è C2" èçäàòåëñòâî "Ernst Klett Sprachen" ñå ñúñòîè îò: ó÷åáíèê è ó÷åáíà òåòðàäêà + îíëàéí ìàòåðèàëè êíèãà çà ó÷èòåëÿ Èçáðîåíèòå êîìïîíåíòè îò ó÷åáíàòà ñèñòåìà ñå ïðîäàâàò ïîîòäåëíî. Çà äà çàêóïèòå íÿêîé îò òÿõ, ïîñëåäâàéòå ñúîòâåòíèÿ ëèíê. ... |
|
|
"Mundliche Wissenschaftssprache - íèâî C1 è C2" å ó÷åáíèê è ó÷åáíà òåòðàäêà â åäíî íà èçäàòåëñòâî "Ernst Klett Sprachen". Ó÷åáíàòà ñèñòåìà "Mundliche Wissenschaftssprache - íèâî C1 è C2" èçäàòåëñòâî "Ernst Klett Sprachen" ñå ñúñòîè îò: ó÷åáíèê è ó÷åáíà òåòðàäêà + îíëàéí ìàòåðèàëè êíèãà çà ó÷èòåëÿ Èçáðîåíèòå êîìïîíåíòè îò ó÷åáíàòà ñèñòåìà ñå ïðîäàâàò ïîîòäåëíî. Çà äà çàêóïèòå íÿêîé îò òÿõ, ïîñëåäâàéòå ñúîòâåòíèÿ ëèíê. ... |
|
|
1951 ã. Ñåâåðíà Êàðîëèíà. Áëåêáúðí Ãàíò ñÿêàø å îñúäåí äà ïðåêàðà æèâîòà ñè ñðåä ìúðòâèòå êàòî ïàçà÷ íà ãðîáèùåòî â Áëîóèíã Ðîê. Õîðàòà â ãðàäà ãî îòáÿãâàò, çàùîòî ëèöåòî ìó å îáåçîáðàçåíî îò äåòñêè ïàðàëè÷. Åäèíñòâåíèÿò ìó ïðèÿòåë å äîáðîñúðäå÷íèÿò, íî èìïóëñèâåí Äæåéêúá Õàìïòúí, ñèí íà íàé-áîãàòèÿ ÷îâåê â ãðàäà. Êîãàòî Äæåéêúá å ìîáèëèçèðàí ïî âðåìå íà Êîðåéñêàòà âîéíà, òîé ìîëè Áëåêáúðí äà ñå ãðèæè çà áðåìåííàòà ìó ñúïðóãà Íàîìè. Áðàêúò íà Äæåéêúá å ñêàíäàëèçèðàë Áëîóèíã Ðîê è îñîáåíî ðîäèòåëèòå ìó, êîèòî ãî ëèøàâàò îò íàñëåäñòâî. Íî åäíà òåëåãðàìà îò Âîåííîòî ìèíèñòåðñòâî èì äàâà øàíñ äà îñèãóðÿò íà ñèíà ñè áúäåùåòî, ... |
|
|
For young learners and early teens. ... "Songs and Grammar Raps" âêëþ÷âà îñíîâíè ãðàìàòè÷íè ñòðóêòóðè çà íèâà À1 è À2. Êíèãàòà ïðåäëàãà 21 îðèãèíàëíè ïåñíè, ïî åäíà çà âñÿêà ãðàìàòè÷íà ñòðóêòóðà, çà ïðåäñòàâÿíå è óïðàæíåíèå íà êëþ÷îâè ãðàìàòè÷íè ïðàâèëà ïî çàáàâåí, äèíàìè÷åí è ìóëòèñåòèâåí íà÷èí ñ öåë äà ïîìîãíå íà ó÷àùèòå ïî-ëåñíî äà çàïîìíÿò ñòðóêòóðè è äà ãè çàïàçâàò â äúëãîñðî÷íàòà ñè ïàìåò. Èçäàíèåòî ñúäúðæà ìàòåðèàëè çà ôîòîêîïèðàíå è å äîïúëíåíî îò äâà àóäèîäèñêà ñ âñè÷êè ïåñíè. Êúì âñÿêà îò òÿõ èìà ïîäðîáíè íàñîêè çà ó÷èòåëÿ, çàäà÷è çà ñëóøàíå è äîïúëíèòåëíè èãðè. ... |
|
|
Madrid, 1957. Daniel, young, wealthy and unsure of his place in the world, views the city through the lens of his camera. Ana, a hotel maid whose family is suffering under the fascist dictatorship of General Franco. Lives and hearts collide as they unite to uncover the hidden darkness within the city. A darkness that could engulf them all..."Gripping. Ruta Sepetys is the finest writer of historical fiction working today." The Wall Street Journal "A master of historical fiction." Elizabeth Wein on "Salt to the Sea" "Spain under Francisco Franco is as dystopian a setting as Margaret ... |
|
|
"To all the readers who discovered "The Fountainhead" and asked me many questions about the wider application of its ideas, I want to say that I am answering these questions in the present novel and that "The Fountainhead" was only an overture to "Atlas Shrugged". I trust that no one will tell me that men such as I write about don't exist. That this has been written - and published - is my proof that they do." Ayn Rand ... |
|
|
Ìíîãî îòäàâíà, â åäèí äàëå÷åí ñâÿò, íàðå÷åí Êóìàíäðà, õîðà è äðàêîíè æèâååëè ìèðíî çàåäíî. Íî âñè÷êî ñå ïðîìåíèëî, êîãàòî ñå ïîÿâèëà ñòðàøíà íàïàñò, çîâÿùà ñå Äðóóí. Òÿ ïðåâðúùàëà õîðàòà â êàìúê è ðóøàëà âñè÷êî ïî ïúòÿ ñè. Êîãàòî öåëèÿò ñâÿò áèë íà ïðàãà íà óíèùîæåíèåòî, äðàêîíèòå ñå ïðèòåêëè íà ïîìîù. Òå ñå æåðòâàëè, çà äà ñïàñÿò õîðàòà. Ñåãà, 500 ãîäèíè ïî-êúñíî, ñúùîòî çëî ñå çàâðúùà. À Ðàÿ å ñìåëîòî ìîìè÷å, êîåòî ùå îòêðèå ïîñëåäíèÿ îñòàíàë äðàêîí, çà äà ñïðå Äðóóí çàâèíàãè.  ñâîÿ îïàñåí ïúò êúì íàäåæäàòà äà âúçðîäè âúëøåáíàòà ìîù íà äðàêîíà, Ðàÿ îòêðèâà è äðóãà âåëèêà ñèëà - íà ïðèÿòåëñòâîòî è äîâåðèåòî. Êíèæêàòà å ... |
|
|
"Gramática básica del estudiante de español" ïðåäñòàâÿ îñíîâíàòà ãðàìàòèêà ïî èñïàíñêè åçèê çà íèâàòà îò À1 äî B2. Ïîìàãàëîòî å ïîäõîäÿùî êàêòî çà ìëàäåæè, òàêà è çà âúçðàñòíè è ìîæå äà ñå èçïîëçâà êàòî äîïúëíåíèå êúì îñíîâíàòà ó÷åáíà ñèñòåìà. Íàä 470 èëþñòðàöèè è ÿñíè îáÿñíåíèÿ ïîìàãàò íà ó÷àùèòå çà ëåñíîòî ðàçáèðàíå íà ãðàìàòè÷íèòå ïðàâèëà. Âñÿêî îò åäíî îò òÿõ å ïðèäðóæåíî îò êîíêðåòíè ïðèìåðè ïðàêòè÷åñêè óïðàæíåíèÿ.  400 çàäà÷è ó÷åíèöèòå ìîãàò äà ïðèëàãàò îñíîâíèòå ãðàìàòè÷íè ôîðìè è äà ðàçáåðàò ôóíêöèîíèðàíåòî íà ãðàìàòè÷íàòà ñèñòåìà. Ó÷åáíîòî ïîìàãàëî ìîæå äà ñå èçïîëçâà êàêòî çà îáó÷åíèå ... |
|
|
A romance writer who no longer believes in love and a literary writer stuck in a rut engage in a summer-long challenge that may just upend everything they believe about happily ever afters. Augustus Everett is an acclaimed author of literary fiction. January Andrews writes bestselling romance. When she pens a happily ever after, he kills off his entire cast. They’re polar opposites. In fact, the only thing they have in common is that for the next three months, they're living in neighboring beach houses, broke, and bogged down with writer's block. Until, one hazy evening, one thing leads to another and they ... |
|
|
Building the Next Era of the Internet. A potent exploration of the power of blockchains to reshape the future of the internet - and how that affects us all - from technology entrepreneur and startup investor Chris Dixon. The internet of today is a far cry from its early promise of a decentralized, democratic network of innovation, connection and freedom. In the past decade, it has fallen almost entirely under the control of a very small group of companies like Apple, Google, and Facebook. In Read Write Own, tech visionary Chris Dixon argues that the dream of a creative, entrepreneurial internet doesn't have to die ... |
|
|
Blockchain, Crypto and the Future of the Internet. The promise of the internet has been stolen. Over the last decade, a handful of giant companies like Facebook and Google have seized control of the web - sapping its dynamism and taking its profits for themselves. But there is a way to take it back. Here, a leading Silicon Valley investor argues that blockchains - the radically free and democratic new type of software design that underpins web3 - could return financial and decision-making power to the internet's users. For the first time, we won't just read and write on the internet - we will own it, too." ... |
