A key figure in the international avant-garde, Piet Mondrian (1872 - 1944) was at once an extraordinary painter and leading art theoretician whose influence resonates to this day. Coining the term "Neo-plasticism", he pursued a style of painting composed only of primary colors against a grid of black vertical and horizontal lines and a white base background. Mondrian's vision was that this essential painting would help to achieve a society in which art as such has no place, but rather exists for the total realization of "beauty". With stints in Amsterdam, Paris, London, and New York, Mondrian drew ... |
|
|
Sergei Ignatov: Professor of Egyptology, New Bulgarian University, Sofia Founder and director of the Bulgarian institute of Egyptology, New Bulgarian University, Sofia M.A. and Ph.D. in Egyptology from St. Petersburg University, Russia. Specialized in All Souls College, Oxford He served as a Minister of Education, Youth and Science, 2009 - 2013 Rector of New Bulgarian University 2002 - 2009 Dean of the Undergraduate School, NBU 1999 - 2002 Head of the eapertment of Mediterranean and Oriental Studies, NBU 1998 0 2002 Has published widely in the field of Egyptology ... |
|
|
Morphology of Classical Egypt. ... The main corpus of the study represents a source study of pHermitage 1115, containing the text, which describes the encounter and the discourse of an Egyptian man with a deity. The text is considered in a dialogue with the texts of the epoch, i.e. the principle is followed that in order to understand an ancient text, one has to study all the other ones that are accessible. The uniqueness of the presented papyrus lies in the fact that it contains the most ancient evidence of prayer and of sacrifice, committed without the mediation of priests and is the most ancient story, describing a ... |
|
|
George Eastman's career developed in a particularly American way. The founder of Kodak progressed from a delivery boy to one of the most important industrialists in American history, and a crucial innovator in photographic history. Eastman died in 1932, and left his house to the University of Rochester. Since 1949 the site has operated as an international museum of photography and film, and today holds the largest collection of its kind in the world, containing over 400,000 images and negatives - among them the work of such masters as Alfred Stieglitz, Edward Steichen, and Ansel Adams. Home also to 23,000 cinema ... |
|
|
Filling notebook after notebook with sketches, inventions, and theories, Leonardo da Vinci (1452 - 1519) not only stands as one of the most exceptional draftsmen of art history, but also as a mastermind and innovator who anticipated some of the greatest discoveries of human progress, sometimes centuries before their material realization. From the smallest arteries in the human heart to the far-flung constellations of the universe, Leonardo saw nature and science as being unequivocally connected. His points of inquiry and invention spanned philosophy, anatomy, geology, and mathematics, from the laws of optics, ... |
|
|
The Hermetic Museum takes readers on a magical mystery tour spanning an arc from the medieval cosmogram and images of Christian mysticism, through the fascinating world of alchemy to the art of the Romantic era. The enigmatic hieroglyphs of cabalists, Rosicrucians, and freemasons are shown to be closely linked with the early scientific illustrations in the fields of medicine, chemistry, optics, and color theory. Even for those with no knowledge of the fascinating history of alchemy, this book is a delight to explore. Each richly illustrated chapter begins with an introduction and quotes from alchemists by specialist ... |
|
|
The arresting pictures of Frida Kahlo were in many ways expressions of trauma. Through a near-fatal road accident at the age of 18, failing health, a turbulent marriage, miscarriage and childlessness, she transformed the afflictions into revolutionary art. In literal or metaphorical self-portraiture, Kahlo looks out at the viewer with an audacious glare, rejecting her destiny as a passive victim and rather intertwining expressions of her experience into a hybrid surreal-real language of living: hair, roots, veins, vines, tendrils and fallopian tubes. Many of her works also explore the Communist political ideals which ... |
|
|
Hailed the "Prince of the Impressionists", Claude Monet (1840 - 1926) transformed expectations for the purpose of paint on canvas. Defying the precedent of centuries, Monet did not seek to render only reality, but the act of perception itself. Working "en plein air" with rapid, impetuous brush strokes, he interrogated the play of light on the hues, patterns, and contours and the way in which these visual impressions fall upon the eye. Monet's interest in this space "between the motif and the artist" encompassed too the ephemeral nature of each image we see. In his beloved water lily ... |
|
|
Most commonly associated with the birth of the Impressionist movement in mid-19th-century Paris, Edgar Degas (1834 - 1917) in fact defied easy categorization and instead developed a unique style, strongly influenced by Old Masters, the body in motion, and everyday urban life. The elder scion of a wealthy family, Degas cofounded a series of exhibitions of "Impressionist" art, but soon disassociated himself from the group in pursuit of a more realist approach. His subjects centered on the teeming, noisy streets of Paris, as well as its leisure entertainments, such as horse racing, cabarets, and, most particularly, ... |
|
|
Emerging amid the brutality of World War I, the revolutionary Dada movement took disgust with the establishment as its starting point. From 1916 until the mid-1920s, artists in Zurich, Cologne, Hanover, Paris, and New York launched a radical assault on the politics, social values, and cultural conformity which they regarded as complicit in the devastating conflict. Dada artists shared no distinct style but rather a common wish to upturn societal structures as much as artistic standards and to replace logic and reason with the absurd, chaotic, and unpredictable. Their practice encompassed experimental theater, games, ... |
|
|
Peaking in the 1960s, Pop Art began as a revolt against mainstream approaches to art and culture and evolved into a wholesale interrogation of modern society, consumer culture, the role of the artist, and of what constituted an artwork. Focusing on issues of materialism, celebrity, and media, Pop Art drew on mass-market sources, from advertising imagery to comic books, from Hollywood's most famous faces to the packaging of consumer products, the latter epitomized by Andy Warhol's Campbell's soup cans. As well as challenging the establishment with the elevation of such popular, banal, and kitschy images, Pop ... |
|
|
Vincent van Gogh's story is one of the most ironic in art history. Today, he is celebrated the world over as one of the most important painters of all time, recognized with sell-out shows, feted museums, and record prices of tens of millions of dollars at auction. Yet as he was painting the canvases that would subsequently become these sell-out modern masterpieces, van Gogh was battling not only the disinterest of his contemporary audiences but also devastating bouts of mental illness, with episodes of depression and paralyzing anxiety which would eventually claim his life in 1890, when he committed suicide shortly ... |
Книги
